正片
俄宫情怨
凯瑟琳女皇,年轻的凯瑟琳,叶卡捷琳娜女皇,年轻的叶卡捷琳娜Young Catherine
影片信息
- 状态：高清版
- 导演：迈克尔·安德森
- 主演：朱莉娅·奥蒙德
- 年份：1991
- 地区：美国
- 类型：剧情片剧情,传记,历史
- 时长：150
- 上映：1991-02-16
- 语言：英语
- 更新：2022-08-06 08:08:04
- 简介：Julia Ormond was swept off to Hollywood to become a star - but somehow it didn't happen. Now she's in London to appear in David Hare's new play. She tells Harriet Lane why she came back Five years ago, the smart Hollywood money was on Julia..
7.5
2次评分扫一扫用手机访问
剧情简介
Julia Ormond was swept off to Hollywood to become a star - but somehow it didn't happen. Now she's in London to appear in David Hare's new play. She tells Harriet Lane why she came back
Five years ago, the smart Hollywood money was on Julia Ormond becoming the new Julia Roberts or the new Meg Ryan. Instead, she went off at a different angle and became the new Geena Davis. Like Davis, Ormond enjoyed a spectacular launch in Hollywood, buoyed by gallons of publicity rocket fuel: a dazzling ascent swiftly followed by a tumble back to earth at the end of a blackened stick.
There is something rather Hilaire Belloc about Julia Ormond's story, something a little cautionary. Or rather, there would be if she would only play along with it, cast herself as The Fallen Star, or The Girl From Surrey Who Thought She Was Audrey Hepburn. But one role she's simply not interested in is that of victim. 'For sure, you don't believe the good stuff,' says Ormond, referring to the hullaballoo that surrounded her in 1995 when Legends of the Fall , First Knight and Sabrina all opened more or less simultaneously. 'I mean, the good stuff is just insane - wacky. If you don't take it too much to heart, it does help when the negative stuff hits. And you know the negative stuff is coming. It's got to! What comes up must come down.'
Article continues
--------------------------------------------------------------------------------
--------------------------------------------------------------------------------
And it's true: she did know it was coming. At 29, Ormond hadn't submitted rapturously to the star machine. There were sacrifices she didn't want to make. On-set admirers called her 'formidable' and 'flinty' and 'honest'; unnamed sources grumbled about 'attitude'. Looking back at her earliest interviews, conducted amid a swarm of excitable movie execs and publicists, with superagent Michael Ovitz himself on hand to fetch her glasses of water, you note a rich seam of ho-hum scepticism. 'They seem to be very sure things are going to be a success,' Ormond told Vogue in 1995. 'I'm not being negative about it, but I'm hedging my bets.'
Certainly, the timing was unfortunate. Legends of the Fall, where she played the love interest, was quickly followed by First Knight, a hilarious turkey in which a trumpet-sleeved Ormond was Guinevere, torn between Sean Connery and Richard Gere. Then came a remake of Sabrina, in which director Sydney Pollack misguidedly steered her into Audrey Hepburn's ballet pumps. Though she knows Sabrina was a mistake, Ormond has no regrets. 'It was a fantastic learning experience and OK, I got slammed because I wasn't Audrey Hepburn... but you could have predicted that, really, if you'd opened your eyes wide enough. But I was hungry for the learning experience and didn't feel secure enough to say no. You need to be bloody secure to say no.'
She knew she was lucky, but she also knew she was out of her depth - not with the acting, but with the stuff that surrounded it. 'The odd thing for me is the focus on looks which happened in the States. I'd always felt that was not going to be a strong point. That made me feel very disturbed, because it never seemed to be about how much hard work was involved. Ever. It was about... hazel eyes. It does help if you can brush that stuff off.'
Billed by the publicists as an ingénue, Surrey-born Ormond was no such thing, and this may have saved her bacon. After drama school and an advert for cottage cheese, she had spent a decade as a jobbing actor in the UK, carving out a strong reputation on stage (in 1989, she'd won the London Critics' Award for Best Newcomer, in Christopher Hampton's Faith Hope and Charity at the Lyric Hammersmith) and television (in particular, as a drug addict in Traffik) before landing Legends.
'I found it all very scary. This fairytale gets built around you - as if you've been walking through the streets and then Sydney Pollack sees you and goes, I'll put you in something! When really you've gone to drama school and rep and then you've come to London and gone to auditions... and you've worked, solidly, for years. But that all gets forgotten. At first I was a bit indignant about it, and then I realised, No, that's what people want, so that's what is given. But it's not in your control. It's just what happens to you, and that's what's frightening.'
The roles, on the other hand, were a gas. In the UK, 'I'd seemed to play a lot of people who'd slit their wrists or cut off their hair or shot themselves or died of the plague. And if you do anything for too long, it starts to lack edge, to become too easy. Easy is the kiss of death. And so for me what I needed was to get my head out of my bottom, and so to go off and do First Knight - gallivanting around on a horse, with a cape, and knights in blue corduroy - was quite fun.'
So Ormond gallivanted for a bit, airing her famous, transfixing smile as required ('You watch her just to wait for it to happen,' wrote one journalist), and then... vanished, at least from the mainstream. Stepping off the red carpet, she took bigger risks. A doomed film version of Miss Smilla's Feeling for Snow , directed by Bille August. A three-hour Russian epic, The Barber of Siberia, directed by Nikita Mikhalkov. When she was white-hot she'd been offered the Holy Grail of movie-star accessories, her own production company, and Ormond actually did something with hers, making a documentary about Bosnian women in Serbian detention camps, and working with Harold Pinter on a Karen Blixen short story that she hopes to direct. Last year she married an American who works in e-commerce.
For her next trick, she's coming back to the London stage for the first time in nine years. At the Royal Court, in a break from rehearsing David Hare's new play My Zinc Bed , Ormond looks very London, very theatre. She's wearing a black jersey, chinos and navy flipflops, and her hair is rather tangled, as if it hasn't been brushed for days. No make-up. Her face has more character, more shade, than I was expecting. You do find yourself staring at her, just so you won't miss the wild energy that surges across it when she laughs.
Ormond hasn't turned her back on film (the marital home is in LA, and The Prime Gig, a comedy co-starring Vince Vaughn and Ed Harris, is in post-production) but the Hare project was too good to miss. What swung it for her? 'The fact that David had written it and David was directing it at the Royal Court and it was a new three-hander. Plus, it's a brilliant play. I'm not making any comment on how we execute it or what we achieve through doing it, but reading it, it's a phenomenal play.'
Since there's some sort of unofficial embargo about My Zinc Bed, neither Ormond nor her co-stars Tom Wilkinson and Steven Mackintosh will spell out what actually happens in the play, other than saying that it's about an entrepreneur who recruits a young poet to jazz up his internet empire. Ormond, who plays Elsa, the entrepreneur's wife, says the Hare script outshone every film script that was coming her way. In any case, she'd been keen to get back to theatre.
'I ride,' says Ormond, who has a way with analogies, 'and doing theatre after doing film is a bit like doing dressage or showjumping after you've been out for endless hacks, having just a wild old time. You're put through your paces in a different way. And it's not that going out for a hack is wrong or bad, I certainly don't view it as that; it's just that there's something about the dressage, being put through your paces, that makes you better.'
Yes, she feels the stakes are high this time around. 'I feel that David took a risk with me. I have a sense that by starting off in the theatre and going off to do films you are seen to sell out in some way. I don't hold truck with that, but you can't stop people from feeling it. So I think people are a little guarded about me. Oh, God! It's never just about the piece. Something else always washes over it.'
She's anxious that her own trajectory, her own reputation, should not obscure Hare's work. When she adds, 'But then, my sense is that that' s all something in the past - I've escaped it', she sounds like she really means it.
•
为你推荐
换一换- 5.5高清版塞伦娜·格兰蒂,Johan Leysen,Valeria D'Obici
- 7.2高清版郑裕玲,冯宝宝,夏文汐,任达华,陈加玲,陈奕诗,鲁芬,玛利亚,黄光亮,关明玉,梁韵蕊,谢月美,谭倩红,顾嘉玲,陈凤芝,夏志珍
- 0.0高清版阿塔斯卡梅尔卡多,黛莎·加西亚,马克·莫拉莱斯,Horace Mendoza
- 4.9高清版AJ Raval,Jay Manalo,Cara Gonzales,Joko Diaz,Soliman Cruz,Gilleth Sandico
- 6.9高清版凌波,方盈,张丽珠,夏仪秋,陈丽丽,黄莎莉,潘迎紫,叶青,郝履仁,尤光照,严俊
- 6.4高清版小凯文·哈里森,约翰·大卫·华盛顿,詹妮弗·艾莉,亚历桑德罗·埃尔南德斯,杰弗里·怀特,贾雷尔·杰罗姆,米奇·麦迪森,蒂姆·布雷克·尼尔森,詹妮弗·哈德森,保罗·本-维克托,拉维·西蒙尼,约翰尼·科瓦内,道林·米西克,Adriana DeGirolami,威利·C·卡彭特,纳西尔·琼斯,Rakim Mayers,Rege Lewis,Kelvin Hale,Jeremy Dash,June Ballinger,乔尔·范·刘
- 6.8高清版乔·达里桑德罗,西尔维娅·克里斯蒂,André Falcon
- 6.8高清版万梓良,叶童,金燕玲,刘江,黄光亮,白石千,刘青云,何家驹,韩坤
- 0.0高清版Marina Vlady
- 6.3高清版蒋雯丽,陈宝国,刘强,刘烨,英达
- 5.8高清版谷奈绪美
- 0.0高清版鸠村薰,绪川玉木,中岛博子
- 6.8高清版萨尔普·阿克卡亚,厄康·吉赛尔,Aleyna Özgeçen,Ushan Çakir
- 0.0高清版
- 7.4高清版路易·加瑞尔,蕾雅·赛杜,格雷戈瓦·勒普兰斯-林盖,埃斯特万·卡瓦哈尔-阿莱格里亚,西蒙·特鲁西略,阿珈特·波尼茨,阿娜伊斯·德穆斯蒂埃,让-米歇尔·波特尔,齐雅拉·马斯楚安尼,克洛蒂尔德·埃斯姆,多米尼克·古尔德
- 0.0高清版张若昀,吴刚
- 7.5高清版梁家辉,秦海璐
- 7.8高清版林保怡,陈玉莲,方中信,卢敏仪,李丽丽,陈狄克,关菁,鲍方,于枫,郭德信,黄文标,林家栋,叶振声,王维德,邓煜荣,萧山仁,刘桂芳,陆丽燕,黄炜林,曾令茵,陈晓云,颜仟汶,孙季卿,廖丽丽,唐威娜,谈佩珊,陈勉良,谢月美,吴列华,黄振宁,温双燕,何璧坚,黄伟辉
- 0.0高清版吴迪,张昊,袁菲
- 0.0高清版朴荷娜,孙昌敏,姜志燮,崔秀琳,朴相旭,吴丞芽,金英玉,池秀媛,裴格林
评论
共 条评论
游客2022-08-06演将军的人不错= =- 游客2022-08-06比那个凯瑟琳泽塔琼斯版的好多了
- 游客2022-08-06被那个英俊的将军迷倒了。
- 游客2022-08-06Julia Ormond was swept off to Hollywood to become a star - but somehow it didn't happen. Now she's in London to appear in David Hare's new play. She tells Harriet Lane why she came back Five years ago the smart Hollywood money was on Julia Ormond becoming the new Julia Roberts or the new Meg Ryan. Instead she went off at a different angle and became the new Geena Davis. L...
- 游客2022-08-06这部片加深了我对宫廷片的理解：女皇（女王）偷情。